4. What is the conclusion of I soliti ignoti? Does it fit in with the bittersweet, unresolved endings that we discussed with the neorealist films? Is it more or less successful in conveying its message than the preceding films?

I soliti ignoti a 1958 film by Mario Monicelli concluded by showing a bittersweet conversation between future robbers over plates of beans and pasta (Bondanella & Pacchioni, 2017, p. 186); (Criterion Creeps, 2018). It sort of fits with the bittersweet unresolved endings seen in the neorealist films. But it is more successful in conveying its message than the preceding films because it centred on professional comic characters, actors or actresses, transplanting the message through grotesque comedy rather than the traditional films that used non-professional actors displaying a more rosy picture (Bondanella & Pacchioni, 2017, p. 160); (Criterion Creeps, 2018).

4. What is the conclusion of I soliti ignoti? Does it fit in with the bittersweet, unresolved endings that we discussed with the neorealist films? Is it more or less successful in conveying its message than the preceding films?

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4. What is the conclusion of I soliti ignoti? Does it fit in with the bittersweet, unresolved endings that we discussed with the neorealist films? Is it more or less successful in conveying its message than the preceding films? 