Name: Music 103A Exam 3 - A) Using a key signature, notate the following chords. Be sure to write the key signature for each before spelling the chord. Please notice this section includes both triads and seventh chords. °4 Ab: f#m: vii 2 bbm: VI E: IV 9 M6 °6 fm: 11 Bb: IV 5 G: V11 dm: V₁ B) Identify and label all errors in the following passages. For parallel fifths or octaves, consecutive fifths or octaves by contrary motion, and direct/hidden fifths or octaves, draw a line between the pair of voices where the error occurs and label. For spacing and voice crossing errors, circle the two voices where the error occurs and label. For a chord with no third, write "no third" directly above the chord. Between the following two passages (in G major and E-flat major), find one voice crossing, one chord with no third, one example of parallel octaves, one example of consecutive octaves by contrary motion, and one example of parallel fifths. 8 O Ꮎ Between the following two passages (in g minor and A major), find two spacing errors, one example of parallel fifths, one example of consecutive fifths by contrary motion, and one example of direct/hidden octaves. e C) Complete a Roman numeral analysis below the following two excerpts. Be sure to label the keys (before your Roman numeral analysis). Adapted from Herr, wie du willst, so schick's mit mir by Anonymous € 0 Adapted from Gott fähret auf mit Jauchzen, BWV 43 by J.S. Bach P D) Using conventional voice leading, complete the following two examples for four parts by adding the tenor and alto parts. The first chord voicing is given for both. dm: i iv Vi III VI iv V i V i A: I ii V vi IV ii V V I