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5G 48
ARCH 3214-001: Hist & Thry of Architecture 2
Discussion Questions Organic Architecture
Prompt #1:
"In the Cause of Architecture, Second Paper," published
in Architectural Record 1914, Frank Lloyd Wright writes:
"The sins of an Architect are permanent sins. To promote
good work it is necessary to characterize bad work as
bad. Half-baked, imitative designs, fictitious semblances,
pretentiously put forward in the name of a movement or
a cause... endanger the cause, weaken the efficiency of
genuine work... lower the standard of artistic integrity
permanently until utter social evil results" (Wright 1914,
407).
Identify and cite passages from "In the Cause of
Architecture II" that depict what he considers to be the
qualities of "good" work? What does he depict as 'bad'
work? What are the social evils that he is warning
against?
What are the ethical ramifications of architecture
according to Wright?
- What do you see as the ethical ramifications of
architecture? Provide an example that you believe
exemplifies and explain your reasoning.
Prompt #2:
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5G 48
ARCH 3214-001: Hist & Thry of Architecture 2
- Does the use of the machine, extreme cantilevers, or
structural innovation counter the advice to use natural
materials or the inherent 'nature of nature'?
Prompt #3:
"In the Cause of Architecture, Second Paper," Wright
conveys his aspiration to create a new framework for
architecture that relies on tenants of Organic
Architecture without requiring rules while also creating
ideals that may never be achieved. Wright argues: "And I
still believe that the ideal of an organic architecture
forms the origin and source, the strength and,
fundamentally, the significance of everything ever
worthy the name of architecture... And I know that the
sense of an organic architecture, once grasped, carries
with it in its very nature the discipline of an ideal at
whatever cost to self-interest or an established order. It
is itself a standard and an ideal" (Wright 1914, 406).
- Examine Organic Architecture's tenuous position
between an idea and standard through the writing and
built work of Wright. Refer to and cite specific passages
as you build your discussion. Feel free to upload or sketch
images to further analyze and communicate.
- How would you differentiate a standard from an ideal?
Should Organic architecture be a standard or an ideal?
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ARCH 3214-001: Hist & Thry of Architecture 2
Prompt #2:
In 1908 Architectural Record, Wright authored the first
of a two-part essay series called "In the Cause of
Architecture I" in which he offers a definition of organic
architecture and recommendations for how designers
can employ it. He writes: "Colors require the same
conventionalizing process to make them fit to live with
that natural forms do; so go to the woods and fields for
color schemes. Use the soft, warm, optimistic tones of
earths and autumn leaves in preference to the
pessimistic blues, purples, or cold greens and grays of the
ribbon counter; they are more wholesome and better
adapted in most cases to good decoration" (Wright
1908). He further expounds upon the importance of
individuality within homes and how there needs to be
differentiation for the range of inhabitants.
- Examine closely this writing and the recommendations
set forth in this document. Refer to and cite specific
passages as you build your discussion.
-Are there contradictions in the guidance offered? For
example, can individuality or cultural differentiation exist
within his framework of a nature inspired aesthetic? Can
paintings on the wall also compliment organic
architecture?
- Does the use of the machine, extreme cantilevers, or
structural innovation counter the advice to use natural
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ARCH 3214-001: Hist & Thry of Architecture 2
away from natural organic processes? Wright claims that
"Nothing is more difficult to achieve than the integral
simplicity of organic nature, amid the tangled confusions
of the innumerable relics of form that encumber life for
us. To achieve it in any degree means a serious devotion
to the "underneath" in an attempt to grasp the nature of
building a beautiful building beautifully, as organically
true of itself, to itself as to its purpose, as a tree or
flower" (Wright 1914, 413). One might ask, if it is so
difficult, should we try?
Refer to and cite specific passages as you engage in a
discussion with Wright and other proponents of Organic
architecture with your eyes of 2024. What could be
added to the framework to be more sustaining or
nourishing for the planet?
- Could Organic Architecture be perceived as another
way for humans to feel good about inherent ecological
harm?
Should we try to make concrete, steel, stone, wood, or
glass buildings that look like they grasp an organic
essence?
-Should the goals of Organic Architecture be more than
trying to grasp the essence of nature through
architecture?
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ARCH 3214-001: Hist & Thry of Architecture 2
- How would you differentiate a standard from an ideal?
Should Organic architecture be a standard or an ideal?
Can it be an ideal and a standard simultaneously?
- How does Organic Architecture differ from other
Sustainability metric systems such as LEED? Do you
think Wright would be in favor or reject such
frameworks?
Prompt #4:
If humans are working with extreme effort to try to
achieve the integral simplicity of organic nature, might
this be a warning sign that society has stepped too far
away from natural organic processes? Wright claims that
"Nothing is more difficult to achieve than the integral
simplicity of organic nature, amid the tangled confusions
of the innumerable relics of form that encumber life for
us. To achieve it in any degree means a serious devotion
to the "underneath" in an attempt to grasp the nature of
building a beautiful building beautifully, as organically
true of itself, to itself as to its purpose, as a tree or
flower" (Wright 1914, 413). One might ask, if it is so
difficult, should we try?
Refer to and cite specific passages as you engage in a
discussion with Wright and other proponents of Organic
architecture with your eyes of 2024. What could be
added to the framework to be more sustaining or
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