Media Law And Ethics Homework Help

4. How does Ettore Scola engage with the tenets of Neorealism that we've studied, all the while creating a film with elements we have not yet seen? What do you think is the message of this film?

3. What is the biggest shift in films from the first part of the decade (1970-1974) to the second half (1975-1979)? Why do you think this is?

2. Last week we talked about how during the years of the Economic Boom, most people still preferred watching films in a theater over television. Does that remain the same during the years described in this chapter or not? What may or may not have caused a shift?

Written Assignment Discussion 6 1. Based on Celli's chapter, why were the 70s referred to as gli anni di piombo (the years of lead)? Given what we've studied about the social/political/cultural movements in Italy up until now, are you surprised by this phenomenon?

Writing Assignment Italian Film 1. Consider both Roma città aperta and Ladri di biciclette. Compare and contrast the two films based on the tenets of neorealism that appear in both. Use specific scenes to support your argument. Bicycle Thieves https://www.youtube.com/watch?v=TVw2ctnL22M Rome, Open City (1945) | Roberto Rossellini https://www.youtube.com/watch?v=cMTbTcOJZ00