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Answer both questions.
1. Briefly describe each of these: Islam, Qur'an, Hadith, Hijra, and the Five Pillars of Islam.
2. Reading 9.1 [found at the end of Chapter 9] Includes some of the famous passages connecting the
Qur'an with holy war. Many Islamic scholars argue that these passages are about the holy wars that
were already happening between Christians and Zoroastrians and are not a command for Muslims to
wage war against non-Muslims. Criticism of Islam and some Islamist fundamentalist disagree, and
see it as an instigation of violence. Others have argued that religions generally promote violence
such as with Christianity in the Crusades, Buddhism with the Rohingya population, Judaism in
Palestine, and more. Defenders of religion point out that many secular or atheistic ideologies such
as communism/socialism, nationalism, fascism, or even capitalism also justify and spread human
cruelty. In a thoughtful paragraph, write what you think about the connection between religions or
ideologies and violence. [Note, do this with respect. Include facts and not insults.]/n Safari Fichier Édition Présentation Historique Signets Fenêtre Aide
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The Rise and Spread
of Islam
A New Religion
"he Dome of the Rock (Fig. 1) stands atop the Temple
Mount in Jerusalem, on the site where, in Jewish tradi-
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LEARNING OBJECTIVES
1 Outline the principal tenets of the Muslim faith.
2 Explain the rapid spread of the Muslim faith.
3 Describe Islamic culture in both Africa and Spain.
4 Explore the importance of calligraphy in Islamic art and explain how the other arts
reflect its emphasis on abstract rhythms of pattern and repetition.
W
Jewish Temple of Solomon originally stood here, and the
site is further associated-by Jews, Christians, and Mus-
lims alike with God's creation of Adam. The Second
Temple of Jerusalem also stood on this spot until it was
destroyed by Roman soldiers when they sacked the city
in 70 CE to put down a Jewish revolt, an event commemo-
rated on the Arch of Titus in Rome. Only the Wailing Wall
remains, part of the original retaining wall for the platform
supporting the Temple Mount, and for Jews the most sacred
site in Jerusalem. To this day, the plaza in front of the wall
functions as an open-air synagogue where daily prayers are
recited and other Jewish rituals are performed. On Tisha
B'Av, the ninth day of the month of Av, which occurs
either in July or August, a fast is held commemorating the
destruction of the successive temples on this site, and peo-
ple sit on the ground before the wall reciting the Book of
Lamentations.
One of the earliest examples of Muslim architecture,
built in the 680s, the Dome's ambulatory-its circular,
colonnaded walkway-encloses a projecting rock that lies
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directly beneath its golden dome. By the sixteenth century,
the Islamic faithful had come to believe that the Prophet
Muhammad ascended to heaven from this spot, on a
winged horse named Buraq, but there is no evidence that
this story was in circulation when the Dome was originally
built. Others thought that it represented the ascendancy
of Islam over Christianity in the Holy Land. Still oth-
ers believed the rock was the center of the world, or that
it could refer to the Temple of Solomon, the importance of
which is fully acknowledged by Muslims, who consider Sol-
omon a founding father of their own faith. All of this sug-
gests that the Dome was meant to proselytize, or convert,
both Jews and Christians to the Muslim faith.
The sanctity of this spot, then, at the heart of Jerusalem,
is recognized equally by the three great faiths of the West-
ern world-Judaism, Christianity, and Islam. But it is the
rise of Islam that is the subject of this chapter, and if the
Dome of the Rock is one of Islam's most venerated sites, its
holiest city is Mecca, located 760 miles to the south, about
50 miles inland from the Red Sea in present-day Saudi
Arabia (Map 1). Mecca's natural spring originally made it
an important stopping point for nomadic Arabs, known as
Bedouins, who traded along caravan routes across the arid
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Black Sea
157
ANATOLIA
ofpy
Mediterranean
Sea
Fustat
EGYPT
ARMENIA
rea
Edessa.
SYRIA
Jerusalem
Damascus
eris
Cuphrates
AZERBAIJAN
HEJA Medina
Mecca
Caspian
Kufa
MESOPOTAMIA
IRAQ
Baghdad
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YEMEN
S
ARABIA
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Persian Gulf
IRAN
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Map 1 The Muslim world, ca. 700 CE.
peninsula. Until the seventh century CE, they worshiped
more than one god. They stored images of those gods in a
square structure in the center of the city that came to be
known as the Kaaba, literally "cube" (Fig. 2). Scholars
believe that the original Kaaba was linked to the astro-
nomical year, containing an array of 360 idols, each asso-
ciated with seasonal rituals and the passing of the days
and months. Built with a bluish-gray stone from the hills
OMAN
500 km
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surrounding Mecca, it is now usually covered with a black
curtain. The Kaaba also held a sacred Black Stone, prob-
ably a meteorite, which reportedly "fell from heaven." Leg-
end has it that when workers who had been rebuilding the
Kaaba were ready to place the sacred stone inside, a quar-
rel broke out among the principal Arab tribes regarding
who would have the privilege of laying the stone. Everyone
agreed that the first passerby would do the honor. That pas-
serby turned out to be the Muslim prophet Muhammad
(ca. 570-632), who placed the stone on his cloak and then
gave a corner of the cloak to the head of each tribe to carry
into the building (Fig. 3). The story establishes Muhammad
as a political as well as spiritual leader, and, perhaps more
important, as a prophet capable of uniting the diverse ele-
ments of Arab culture.
Today, practitioners of the Muslim faith from all over the
world face toward the Kaaba when they pray. They believe
it is their place of origin, the site of the first "house of God,"
built at God's command by the biblical Abraham and his
son Ismael, the ancestors of all Muslims, on the spot where,
in Muslim tradition, Abraham prepared to sacrifice Ismael
(not Isaac, as in the Jewish tradition, at the Dome of the
Rock). Thus, walking around the Kaaba is a key ritual in
the Muslim pilgrimage to Mecca, for the cube represents
the physical center of the planet and the universe. It is
the physical center of Muslim life, around which all things
turn and to which all things in the universe are connected,
symbolic of the cosmos itself. The Islamic transformation
of Middle Eastern and Western culture, which began in
Mecca in the seventh century and spread outward from that
city, is the subject of this chapter.
Just as Muslims physically turn toward Mecca when
they pray, they turn their thoughts toward the teachings
of their prophet Muhammad. Wherever Muslims found
themselves and Islam rapidly spread across the Middle
East, North Africa, and even into Spain-they built places
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Sea
Fustat
EGYPT
Google
Damascus
Jerusalem
HEJA Medina
Mecca
Baghdad
Kufa
Dashboard
Basra
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YEMEN
ARABIA
O W
A
Persian Gulf
IRAN
4
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COMAN
N
Map 1 The Muslim world, ca. 700 CE.
peninsula. Until the seventh century CE, they worshiped
more than one god. They stored images of those gods in a
square structure in the center of the city that came to be
known as the Kaaba, literally "cube" (Fig. 2). Scholars
believe that the original Kaaba was linked to the astro-
nomical year, containing an array of 360 idols, each asso-
ciated with seasonal rituals and the
sing of the days
and months. Built with a bluish-gray stone from the hills
500 km
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The Rise and Spread of Islam
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gave a corner of the cloak to the head of each tribe to carry
into the building (Fig. 3). The story establishes Muhammad
as a political as well as spiritual leader, and, perhaps more
important, as a prophet capable of uniting the diverse ele-
ments of Arab culture.
Today, practitioners of the Muslim faith from all over the
world face toward the Kaaba when they pray. They believe
it is their place of origin, the site of the first "house of God,"
built at God's command by the biblical Abraham and his
son Ismael, the ancestors of all Muslims, on the spot where,
in Muslim tradition, Abraham prepared to sacrifice Ismael
(not Isaac, as in the Jewish tradition, at the Dome of the
Rock). Thus, walking around the Kaaba is a key ritual in
the Muslim pilgrimage to Mecca, for the cube represents
the physical center of the planet and the universe. It is
the physical center of Muslim life, around which all things
turn and to which all things in the universe are connected,
symbolic of the cosmos itself. The Islamic transformation.
of Middle Eastern and Western culture, which began in
Mecca in the seventh century and spread outward from that
city, is the subject of this chapter.
Just as Muslims physically turn toward Mecca when
they pray, they turn their thoughts toward the teachings
of their prophet Muhammad. Wherever Muslims found
themselves and Islam rapidly spread across the Middle
East, North Africa, and even into Spain-they built places
P Page 51
Fig. 2 The Kaaba, center of
the Haram Mosque, Mecca,
all
Saudi Arabia.Traditionally.
Muslims must make a pilgrimage
to Mecca at least once in their
lives. Once there, they must walk
around the Kaaba seven times.
The Kaaba has been rebuilt many
times over the years, the last
time in 1631.
51
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THE PROPHET MUHAMMAD
What are the principal tenets of the
Muslim faith?
A
of worship modeled on Muhammad's home in Medina, the
city on the Arabian peninsula where Muhammad moved
when he was driven from Mecca (see Map 1). And, as indi-
viduals, they submitted themselves to the authority of their
faith, so much so that the Muslim religion quickly became
synonymous with the Islamic state itself. Because Arabic,
as the language of divine revelation, was believed to have
a sacred nature, writing too was revered, and calligraphy
developed into the preeminent form of visual art in Islam,
creating an almost wholly abstract standard of beauty
devoid of figurative elements. As a faith that considered
sensory satisfaction, love, luxury, sensuality, and enjoyment
to be manifestations of divine grace, the Muslim religion
enveloped Islamic culture, its art, music, and literature, in
the pursuit of beauty.
O
Fig. 3 Muhammad Placing the Black Stone on His Cloak, from Rashid al-Din's Jami al-Tawarikh
(Universal History), copied and illustrated at Tabriz, Iran, 1315. Illuminated manuscript, 5%" x 10%". University
Library, Edinburgh. Notice that the figures in the back of the central section are lifting a veil that covers the Kaaba.
Today, the veil, the meaning of which is obscure, is black, with quotations from the Qur'an woven across it in gold thread.
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Born in Mecca in about 570 CE to a prominent family
that traced its ancestry back to Ismael, son of Abraham,
Muhammad was orphaned at age 6 and received little for-
mal education. He worked in the desert caravan trade, first
as a camel driver for his uncle, and then, after marrying a
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wealthy widow 15 years his senior, as head of his wife's
flourishing caravan firm. At the age of 40, in 610, he heard
a voice in Arabic-the archangel Gabriel's, as the story
goes urging him, "Recite!" He responded, "What shall
I recite?" And for the next 22 years, he received messages,
or "recitations," from God through the agency of Gabriel.
These he memorized and dictated to scribes, who col-
lected them to form the scriptures of Islam, the Qur'an (or
Koran), which means "recitations." Muhammad claimed
that Gabriel also commanded him to declare himself the
"Seal of the Prophets," that is, the messenger of the one and
only Allah (the Arab word for God) and the final prophet
in a series of prophets extending from Abraham and Moses
to Jesus.
At the core of Muhammad's revelations is the concept
of submission to God-the word Islam, in fact, means "sub-
mission" or "surrender." God, or Allah, is all-all-powerful,
all-seeing, all-merciful. Because the universe is his creation,
it is necessarily good and beautiful, and the natural world
reflects Allah's own goodness and beauty. To immerse one-
self in nature is thus to be at one with God. But the most
beautiful creation of Allah is humankind, which God made
in his own image. Like Christians, Muslims believe that
human beings possess immortal souls and that they can live
eternally in heaven if they surrender to Allah and accept
him as the one and only God.
Muslims, or practitioners of Islam, dedicate themselves
to the "five pillars" of the religion:
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1. Witness (Shahadah): The repetition of the shahadah,
or "witness," which consists of a single sentence,
"There is no God but Allah; Muhammad is the
messenger of Allah."
2. Prayer (Salat): The practice of daily prayer, recited
facing Mecca, five times each day, at dawn, midday,
mid-afternoon, sunset, and nightfall, and the additional
requirement for all men to gather for a noon prayer and
sermon on Fridays.
3. Alms (Zakat): The habit of giving alms to the poor
and needy, consisting of at least one-fortieth of a
Muslim's assets and income.
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4. Fasting (Sawm): During the lunar month of Ramadan
(which, over a 33-year period, will occur in every season
of the year), the ritual obligation to fast by abstaining
from food, drink, medicine, tobacco, and sexual inter-
course from sunrise to sundown each day.
5. Pilgrimage (Hajj): At least once in every Muslim's
life, in the twelfth month of the Muslim calendar,
the undertaking of a pilgrimage to Mecca.
The five pillars are supported by the teachings of the
Qur'an, which, slightly shorter than the New Testament,
consists of 114 surahs, or chapters, each numbered but
more commonly referred to by their titles. Each begins, as
do most Muslim texts, with the bismillah, the first word
of the sacred invocation bismillah al-rahman al-rahim,
which can be translated "In the name of Allah, the Benefi-
cent, Ever-Merciful" (see Closer Look, later in this chapter).
When, after Muhammad's death in 632, the Qur'an's text
was established in its definitive form, the 114 surahs were
arranged from the longest to the shortest. Thus, the first
surah contains 287 ayas, or verses, while the last consists
of only 3. The mandatory ritual prayer (salat) that is per-
formed five times a day consists of verses from Surahs 2, 4,
and 17.
The Qur'an
As the direct word of God, the beauty of the Qur'an's
poetry rises above what any worldly poet might create,
even though in pre-Islamic Arabia, poetry was considered
the highest form of art. The beauty of the poetry inspired
the creation of many beautiful editions of the work (Fig. 4)
and, as we shall see, the art of calligraphy, which, in turn,
continues to inspire Muslim artists to the present day (see
The Continuing Presence of the Past later in this chapter). But
unfortunately, the beautiful, melodic qualities of the Arabic
language are completely lost in translation, a fact that has
halnad to incnira nanamtione of non. Arahie.enanbina Mue.
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Fig. 4 Left page of double frontispiece to volume VII of the Qur'an
of Baybars al-Jashnagir, from Egypt, 1304-06. Illuminated manuscript,
18½ x 12½". British Library, London. The most elaborate Qur'ans, such as
this one, were financed by endowments created by wealthy individuals in
support of a mosque and attendant buildings.
a passage describing paradise from Surah 76, known as
"Man" (Reading la):
READING 1a
from the Qur'an, Surah 76
76.11 So God will save them from the woes of that Day,
give them radiance and gladness,
76.12 and reward them, for their steadfastness, with a
Garden and silken robes.
76.13 They will sit on couches, feeling neither scorching
heat nor biting cold,
76.14 with shady [branches] spread above them and
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