3. On p. 50 of his article, Bazin plainly states that the plot of Bicycle Thieves wouldn’t even warrant mention in a newspaper for the obvious banality of the event. How does the idea of “banality” fit in with Zavattini’s ideation of neorealism? Bazin ultimately brings the idea of shame into this seemingly superfluous story. How does that impact the definition of the film as neorealist or the audience reception of it as such?

Ans-3 According to Bazin, the Bicycle Thieves' plot wouldn't even warrant a newspaper report given the obvious banality of the incident. Zavattini's idea of neorealism was enhanced by the idea of "banality," which eschewed dramatic or intrusive editing and used real locations and actors rather than studio extras in place of studio sets. Bazin ultimately inserts the idea of guilt into this situation, which at first seems unneeded. The story "The Bicycle Thief" is a great illustration of this concept. Antonio Ricci never gets his bike back. The film simply ends. The audience expects that the bike's owner will get it at the end, but that does not happen.

3. On p. 50 of his article, Bazin plainly states that the plot of Bicycle Thieves wouldn’t even warrant mention in a newspaper for the obvious banality of the event. How

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