3. Andre Bazin. Cinematic Realism

A. And for the first time, an image of the world is formed automatically. (Cinematic Realism, p.

59)

B. Depth of focus brings the spectator into a relation with the image closer to that which he

enjoys with reality. Therefore, it is correct to say that independently of the content of the image,

its structure is more realistic. (Cinematic Realism, p. 67)

C. I will distinguish in the cinema...between two broad and opposing trends, those directors who

put their faith in the image and those who put their faith in reality. (Cinematic Realism, p. 64)